Evaluating Fiction Markets

Richard Thomas

You’ve written a short story, taken it through a few workshops, and are ready to start submitting. So what now? Where do you send your work? How do you submit your work? Should you start with professional pay or farther down the ladder? Everyone has a different approach (and goals). There are a number of variables that can help you to figure out where to submit—genre, sub-genre, pay rate, peers, cover art, and medium, just to name a few. And with more than 15 years of experience, and over 175 stories published, I can help you to navigate those waters.

About the Instructor: 

Richard Thomas is the award-winning author of eight books—Disintegration and Breaker (Penguin Random House Alibi), Transubstantiate, Staring Into the Abyss, Herniated Roots, Tribulations, Spontaneous Human Combustion (Turner Publishing), and The Soul Standard (Dzanc Books). His over 170 stories in print include The Best Horror of the Year (Volume Eleven), Cemetery Dance (twice), Behold!: Oddities, Curiosities and Undefinable Wonders (Bram Stoker winner), PANK, storySouth, Gargoyle, Weird Fiction Review, Midwestern Gothic, Shallow Creek, The Seven Deadliest, Gutted: Beautiful Horror Stories, Qualia Nous, Chiral Mad (numbers 2-4), PRISMS, Pantheon, and Shivers VI. He was also the editor of four anthologies: The New Black and Exigencies (Dark House Press), The Lineup: 20 Provocative Women Writers (Black Lawrence Press), and Burnt Tongues (Medallion Press) with Chuck Palahniuk. He has been nominated for the Bram Stoker, Shirley Jackson, Thriller, and Audie awards. In his spare time, he is a columnist at Lit Reactor. He was the Editor-in-Chief at Dark House Press and Gamut Magazine. For more information visit www.whatdoesnotkillme.com or contact Paula Munier at Talcott Notch.